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The Pilgrim Of Hollow Hill - Samuel Gibbs.

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 A strange figure pauses between myth and mountain — part wanderer, part ritual offering. The horse mask turns the landscape into folklore, where the hills feel ancient and watching. There’s something both playful and unsettling here, like a lost frame from a forgotten folk horror film. The black-and-white tones strip the world back to shadow, stone, and symbol, leaving behind a scene that feels suspended somewhere between absurdity and ceremony.
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'Proof Of Something That Happened' - Samuel Gibbs

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  A crumpled tissue, stained and discarded, lies among fragments and dirt - a quite aftermath with no visible event. The red interrupts the darkness like evidence that refuses to disappear.  This image isn't about what happened, but the trace it left behind. Something human, something fragile, something we usually hide - now exposed in the open, abandoned and undeniable.  It ask's a simple uneasy question:  How much of ourselves do we throw away just to keep things looking clean? 
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Abject Offerings: Zine Interventions in Bury St. Edmunds

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 Grainy Black and White Photograph of Organic matter in a glass vial, exploring abjection and decay. I'v Started placing my zines quietly around Bury St.Edmunds - not selling them, not announcing them just leaving them to be found. A disruption in the everyday.  The work inside isn't polished. It isnt safe. Its raw, fragmented photography that sits somewhere between attraction and discomfort- influenced by Georges Bataille's obsession with transgression and Julia Kristeva 's idea of the abject - the things we push away but can't stop looking at. These zines arent meant to decorate your space. They are meant to interupt it. If you find one its yours.  If it unsettles you, its working.
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